An Icon to Remember :: Essays Papers

An Icon to RememberDuring the Late Byzantium pointedness a new burst of creative energy grasped the Russian artists. much artists emerged as Russians became increasingly interested in art. Earlier in the Byzantium termination art that had to do with religious worship, like statues and any religious vision throughout the empire, was destroyed under Leo III in iconoclasm (Kleiner and Mamiya 326). This season lasted nearly one hundred years. During this period icon image became precise popular. These paintings ar small portable paintings depicting Christ, the Virgin, or perfections (Kleiner and Mamiya 342). One of the around famous and influential icon artists to come about during this time was Audrei Rublev. In ca.1410 he designed his masterpiece, the Old volition Trinity (Figure 1), one of the virtually beautiful and popular icon paintings in Russia. Rublevs Old Testament Trinity was a very spiritual and an important icon painting during the fifteenth century. Audr ei Rublev was born in ca.1360 and was k like a shotn as a Russian jaguar and monk (Rublev 304). He was so spectacular that his work had a profound influence on the development of Russian art overall. His paintings normally attributed to a more linear quality (Rublev 304-305). Rublev worked beside Theophanes the Greek and Prokhor from Gorodets, whom may drop been his teachers, in painting the duomo of the Annunciation and also with the icon painter Daniil Chorny (Hamilton 93). Although there is very little background known of his life, his first behavior was in 1405(Hamilton 93). Audrei Rublev passed most of the remainder of his life in the Andronikov Monastery, where he is now buried (Rublev 304). He lived to be seventy and died in ca.1430. Audrei Rublev was one of the superior icon painters for Russia during the Middle Ages. The Old Testament Trinity was dedicated to Saint Sergius Radonezhsky c.1411 (Rublev 305). It was found in 1918 in a storeroom near the Cathedral of the Dormition. Although having severe and irreparable damage enough remains. The painting depicts three angels that are in silent communication with each other, seated around an communion table table with a chalice that indicates the subject of their contemplation is self-sacrifice (Art Treasures in Russia 61). The central figure, God the Father, is further back then his companions, God the parole on the left and the Holy Spirit on the right.